I remember liking it, but not that is was that good. Please Tarantino delight us with more closed, real-time action. Such an incredible screenwriter.
I always picture old people as sort of easily-shocked conservative ones, especially when they’re respected, classy, artists. So I wonder how the discussion between Tarantino and Ennio Morricone went when they discussed the score for the flashback where Samuel L. Jackson is nasty with the general's son, which I found to be too-much myself. Asking important questions.