Both the directing (e.g. the "POV" scenes from the camera) and the screenplay (relatively deep psychological thriller) feel very modern for a 1960 movie. I understand that putting the spectators in the bad guy's shoes could be quite shocking at the time, but I'm happy the movie eventually earned recognition.
Both the directing (e.g. the "POV" scenes from the camera) and the screenplay (relatively deep psychological thriller) feel very modern for a 1960 movie. I understand that putting the spectators in the bad guy's shoes could be quite shocking at the time, but I'm happy the movie eventually earned recognition.