Asghar Farhadi | 2018 | Spain, France, Italy, Argentina, Germany
Sunday 9 June 2019
(watched)
This is the second movie I see from Asghar Farhadi (A Separation) and, well, I have a filmography to watch. He captures with so much intensity the characters’ emotions and psychological complexities. I like that he doesn’t use music. In front of the camera, Penelope Cruz and Javier Bardem are brilliant. The reason so much talent makes for a just a “fairly good” movie is because the ending is narratively disappointing. I use “narratively” because it is actually very plausible and not badly written at all; it’s just that as a spectator you want something more exciting. I guess it’s the price to pay for such raw naturalism.
This is the second movie I see from Asghar Farhadi (A Separation) and, well, I have a filmography to watch. He captures with so much intensity the characters’ emotions and psychological complexities. I like that he doesn’t use music. In front of the camera, Penelope Cruz and Javier Bardem are brilliant. The reason so much talent makes for a just a “fairly good” movie is because the ending is narratively disappointing. I use “narratively” because it is actually very plausible and not badly written at all; it’s just that as a spectator you want something more exciting. I guess it’s the price to pay for such raw naturalism.