Kathryn Bigelow consistently is the queen of filming the atmosphere of a specific turn of events in a very immersive and gripping way. Mark Boal consistently delivers a “fact-based” screenplay out of unknown facts. I’m not sure about the purpose of such detailed and procedural depiction of the incident when a lot of it falls under the umbrella of artistic license because of holes in what is historically known. For someone who mostly didn’t know about the 1967 Detroit’s riots, this was a rather edifying watch nonetheless.
Kathryn Bigelow consistently is the queen of filming the atmosphere of a specific turn of events in a very immersive and gripping way. Mark Boal consistently delivers a “fact-based” screenplay out of unknown facts. I’m not sure about the purpose of such detailed and procedural depiction of the incident when a lot of it falls under the umbrella of artistic license because of holes in what is historically known. For someone who mostly didn’t know about the 1967 Detroit’s riots, this was a rather edifying watch nonetheless.