The obsessional usage of the long-take (the movie is one long take, although with ellipsis) allows some spectacular context switches all while maintaining continuity, which is splendid. All the characters are more or less crazy and it all turns into an exquisite cacophony.
The obsessional usage of the long-take (the movie is one long take, although with ellipsis) allows some spectacular context switches all while maintaining continuity, which is splendid. All the characters are more or less crazy and it all turns into an exquisite cacophony.